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August 02, 2005

The new architecture of production

In the comments, Ryan Shaw points to the interesting MSMDX (Media Streams Metadata Exchange) project at UC Berkeley, whose goal is "to create a platform for collaboratively annotating, retrieving, sharing and remixing multimedia content.". It's just getting underway, but it has already produced one of the more cogent graphics illustrating the new architecture of participation in a remix culture.

User_flows

This also suggests the start of a field guide to Long Tail producers of all sorts. Or perhaps a chapter. Hmmm.

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Listed below are links to weblogs that reference The new architecture of production:

» Media Streams Metadata Exchange from Smart Mobs
I found the MSMDX project via The Long Tail and Blackbelt Jones. Dig the graphic, a kind of mandala of technologies of cooperation in many-to-many cultural production: <---click on this for link to larger, original graphic The MSMDX (Media... [Read More]

» UC Berkeley's Remixing Media Project from IP Democracy
Chris Anderson’s Long Tail blog is replete with very intriguing but terrifically challenging graphic depictions of how the new multiplicity of media outlets is evolving. But one caught my eye for its relative clarity in depicting how viewers, us... [Read More]

» UC Berkeley's Remixing Media Project from IP Democracy
Chris Anderson’s Long Tail blog is replete with very intriguing but terrifically challenging graphic depictions of how the new multiplicity of media outlets is evolving. But one caught my eye for its relative clarity in depicting how viewers, us... [Read More]

» UC Berkeley's Remixing Media Project from IP Democracy
Chris Anderson’s Long Tail blog is replete with very intriguing but terrifically challenging graphic depictions of how the new multiplicity of media outlets is evolving. But one caught my eye for its relative clarity in depicting how viewers, us... [Read More]

» The New Architecture of Production from elearnspace
A few prominent trends continue to emerge in relation to education and media. I've tracked trends like decentralization, rise of the individual, two-way dialogue, and others in this forum. I'm starting to notice a strong focus on "remix", lately. Newer... [Read More]

Comments

Please do make it a chapter, you haven't found the chasm yet.

I would suggest the "original creator" and "enthusiast" personas, although relevant in the AMV community, are a lot more blurred in other forms of new media - e.g. blogging, photography, writing. The AMV community still requires expensive equipment etc in order to "create", whereas with a lot of other new media virtually anyone anywhere can be a creator.

Richard--no doubt, there are often not clear divisions among these roles. Also, I should point out that the corners of the matrix are meant to be activities, not kinds of people. So, for example, a Flickr user might fluidly switch between creating and uploading her original media, to enthusiastically tagging and commenting on others' photos, to passively watching photos roll in on an RSS feed, to Photoshopping a CC-licensed photo that catches her eye and re-uploading it... The point of the diagram is simply to emhasize that all of these activities generate different kinds of metadata that potentially can be used to support the other activities.

I've posted an updated version of my diagram, which I think corrects some of the deficiencies of the original.

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